11. 塞巴斯蒂安先生。1489-1552. Cosmographey,或所有着陆者的描述,现在咬了M.D.LXIII。jar vyl宝石。巴塞尔:亨利·彻姆·佩特里,1564年。 高清作品[79%]

Cosmographey, oder beschreibung aller lander ... jetzunder biss auff das M.D.LXIIII. <em>jar</em> vyl gemehret. Basel: Henrichum Petri, 1564.

图片文件尺寸 : 4279 x 4681px

MÜNSTER, SEBASTIAN. 1489-1552.:Cosmographey, oder beschreibung aller lander ... jetzunder biss auff das M.D.LXIIII. jar vyl gemehret. Basel: Henrichum Petri, 1564.
Folio (312 x 207 mm). 14 double page maps, 41 double-page plans and views (3 extended and folded) in collation; folding table at Ddd3; register bound before the 14 maps. Contemporary panelled pigskin, recently rebacked in morocco, lacking straps, and one clasp from rear board, rubbed. Title page re-margined, and re-inserted on stub, numerous marginal repairs to leaves throughout, only sometimes affecting text, staining; plate, \"Die statt kom in aller Weldt\" (K1-2), stained from censor\'s ink applied to engraving on verso; plate \"Die Statt Heidelberg\" trimmed at outer margin, re-cornered with loss; \"Die Statt Frankfurt\" trimmed at left margin (Ooo4); plate \"Die Statt Wyen...\" trimmed at outer edge (Ppp 2), with loss.

A complete copy of an early edition in German of the book that \"sealed the fate of \'America\' as the name of the New World\" (Burden 12). Münster\'s map of the Americas is the first to show America in its correct continental form, and the first to name the Pacific Ocean. While it first appeared in Münster\'s Geographia in 1540, it was its appearance in the 1544 Cosmographia that crystalized the name \"America\" in the popular lexicon. The hugely popular and influential work was created collaboratively, with Münster reaching out to international scholars to provide information on their localities. Sabin 51390.

塞巴斯蒂安先生。1489-1552. Cosmographey,或所有着陆者的描述,现在咬了M.D.LXIII。jar vyl宝石。巴塞尔:亨利·彻姆·佩特里,1564年。

下载塞巴斯蒂安先生。1489-1552. Cosmographey,或所有着陆者的描述,现在咬了M.D.LXIII。jar vyl宝石。巴塞尔:亨利·彻姆·佩特里,1564年。大图

12. 俄罗斯艺术杂志。 Zhar Ptitsa/Jar Ptitsa[火鸟]。巴黎和柏林:Russkoe Iskustvo,1921年8月至1926年1月。 高清作品[77%]

Zhar-Ptitsa/<em>Jar</em>-Ptitza [The Firebird]. Paris and Berlin: Russkoe Iskusstvo, August 1921-January 1926.

图片文件尺寸 : 5489 x 4959px

RUSSIAN ART JOURNAL.:Zhar-Ptitsa/Jar-Ptitza [The Firebird]. Paris and Berlin: Russkoe Iskusstvo, August 1921-January 1926. 14 issues in 13 volumes (No. 4/5 double issue). 4to (315 x 240 mm). Illustrated in color and black and white, with many plates tipped in. Original color lithographed wrappers. Some issues missing spines with pages detached; internal tears and some loss.

A COMPLETE SET OF THE RARE RUSSIAN EMIGRE LITERARY ART MAGAZINE IN ORIGINAL ISSUES, reportedly no more than 300 copies were printed. Supplemental summaries of the numbers were provided in the back in a variety of languages including English. Zhar-ptitsa was the most influential art journal of the flourishing community of exiles who were feverishly trying to keep the culture of Old Russia alive. Due to paper shortages and extensive censorship by the Bolsheviks back in the USSR, the Russian book business was booming in Germany and France. This lavish periodical was the natural successor to S. Diaghilev\'s Mir iskusstva since many of those involved had been members of the World of Art Group and designers for the Ballets Russes. The rich selection subjects and contributors under A. E. Kogan\'s art department embraced L. Bakst, A. Benois, I. Bilibin, M. Chagall, S. Chekhonin, N. Goncharova, B. Grigoriev, B. Kustodiev, M. Larionov, V. Shukaev, K. Somov, S. Sudeikin and many other important artists. Poet Sasha Cherny was literary editor; and such important writers as L. Andreev, K. Balmont, I. Bunin, V. Khodasevich, B. Pilnyak, A. Remizov, N. Teffi, A.N. Tolstoi, B. Zaitsev, and the young Vladimir Nabokov (as \"V. Sirin\") appeared in its pages. Fekula called Zhar-ptitsa \"perhaps the most famous of post-revolutionary art journals, whose contributors threw new light on the development of Russian art at the beginning of the twentieth century.\" According to Vengerov, \"Even separate issues of the magazine, let alone complete sets of its issues, are a great bibliographic rarity.\" Fekula 5742; Vengerov Staraya russkaya kniga 105.

俄罗斯艺术杂志。 Zhar Ptitsa/Jar Ptitsa[火鸟]。巴黎和柏林:Russkoe Iskustvo,1921年8月至1926年1月。

下载俄罗斯艺术杂志。 Zhar Ptitsa/Jar Ptitsa[火鸟]。巴黎和柏林:Russkoe Iskustvo,1921年8月至1926年1月。大图